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| Linha 1: |
Linha 1: |
| − | {| class="sombratable"
| + | #REDIRECT [[Obras]] |
| − | | |
| − | | [[Arquivo:JeanScheurer-4.png|200x250px|thumb|center|
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| − | link=Todays Archeology|
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| − | | |
| − | '''Jean Scheurer'''
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| − | | |
| − | ''Today's archeology'',1974
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| − | Offset print on card board and drawing on tracing paper
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| − | Collection of the Museu de Arte Contemporânea da Universidade de São Paulo
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| − | ]]
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| − | | |
| − | | [[Arquivo:Waltercio.png|200x250px|thumb|center|
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| − | link=Crítica do Milagre|
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| − | | |
| − | '''Waltercio Caldas'''
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| − | | |
| − | ''Crítica do Milagre'' (''Critique of the Miracle''), 1999
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| − | Artist’s book
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| − | Collection of the artist
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Stefan.png|200x250px|thumb|center|
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| − | link=Reversed Mirror|
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| − | | |
| − | | |
| − | '''Stefan Brüggeman'''
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| − | | |
| − | ''Reversed Mirror #5'' ((from the series)), 2008
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| − | | |
| − | Mirror and permanent glue]]
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| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Brazil-takes-off.jpg|200x250px|thumb|center|
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| − | link=The Economist|
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| − | '''The Economist''' magazine, November 2009, with the headline ''Brazil takes off'"]]
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| − | | |
| − | | |
| − | | [[Arquivo:TIME.jpg|200x250px|thumb|center|
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| − | link=Time|
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| − | '''TIME''' magazine, April 21st, 1967 edition
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:2012.jpg|200x250px|thumb|center|
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| − | link=2012|
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| − | | |
| − | '''2012''' movie poster
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| − | ]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Deyson_Gilbert_-_Bandeira.png|200x250px|thumb|center|
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| − | link=Bandeira|
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| − | | |
| − | '''Deyson Gilbert'''
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| − | project of ''Bandeira'' (''Flag''), 2010
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:FORMIGUEIRO-3.png|200x250px|thumb|center|
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| − | link=Formigueiro|
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| − | | |
| − | '''Theo Craveiro'''
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| − | | |
| − | ''Ant colony - Visible idea 1956 - Hommage to Waldemar Cordeiro and Neoconcretism'', 2010
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| − | Frammed glass, ants, heater and plants
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Giraldo.jpg|200x250px|thumb|center|
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| − | link=Las aventuras del Quijote|
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| − | | |
| − | '''Mónica Giraldo'''
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| − | | |
| − | ''Las aventuras del Quijote - o el elogio a la utopía'' (''The adventures of Quijote - or the praise to utopia''), 2007
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| − | | |
| − | Live oral narration (performance)]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Deartificialeperspectiva-regina_silveiraaa.png|200x250px|thumb|center|
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| − | link=De artificiali Perspectiva|
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| − | | |
| − | '''Regina Silveira'''
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| − | | |
| − | ''De artificiali perspectiva'' (Of artificial perspective), 1976
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| − | Silkscreen
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| − | Collection of the artist
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Zilio.png|200x250px|thumb|center|
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| − | link=Para um jovem de brilhante futuro|
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| − | | |
| − | '''Carlos Zílio '''
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| − | | |
| − | ''Para um jovem de brilhante futuro'' (For a youngster of brilliant future), 1974
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| − | | |
| − | Black and white photograph and offset print on paper
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| − | Collection of the artist]]
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| − | | |
| − | | |
| − | | [[Arquivo:Galan.jpg|200x250px|thumb|center|
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| − | link=Balanço|
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| − | | |
| − | '''Marcius Galan'''
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| − | | |
| − | ''Balanço'' (''Swing''), 2008
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| − | plywood with paint
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| − | Private Collection
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| − |
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| − | ]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Eldorado-3.png|200x250px|thumb|center|
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| − | link=Eldorado|
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| − | | |
| − | '''Regina Parra'''
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| − | | |
| − | ''Eldorado'', 2010
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| − | | |
| − | Oil on paper]]
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| − | | |
| − | | |
| − | | [[Arquivo:ClaraIanni.png|200x250px|thumb|center|
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| − | link=Volumes Táticos|
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| − | | |
| − | '''Clara Ianni'''
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| − | | |
| − | ''da série Volumes Táticos: objeto nº 1'' (''from the series Tactical : object nº1''), 2010
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| − | Cement, iron beam, wood, wheels
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:CADU_HINO.png|200x250px|thumb|center|
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| − | link=Hino dos vencedores|
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| − | | |
| − | '''Cadu'''
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| − | ''Hino dos vencedores'' (''Winner’s anthem''), 2008-2009
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| − | Music box, lottery tickets and frammed paper]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Felipe.png|200x250px|thumb|center|
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| − | link=Geometria sobre o conforto|
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| − | | |
| − | '''Felipe Bittencourt'''
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| − | | |
| − | ''Geometria sobre o conforto'' (Geometry on comfort), 2009
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| − | Video recorded performance and installation with adhesive tape]]
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| − | | |
| − | | |
| − | | [[Arquivo:Ohirabonilha.png|200x250px|thumb|center|
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| − | link=Proposta de ocupação mínimo-máximo para o espaço|
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| − | | |
| − | '''Luciana Ohira & Sérgio Bonilha'''
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| − | | |
| − | ''Proposta para ocupação mínimo-máximo do espaço'', (Proposal for minimum-maximum occupation of space), 2006
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| − | Installation/intervention
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| − | Collection of Gallery Marcelo Guarnieri
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Judas.png|200x250px|thumb|center|
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| − | link=Movimento Monocromático|
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| − | | |
| − | '''Tiago Judas'''
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| − | | |
| − | ''Movimento monocromático'' (Monocromatic movement), 2008
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| − | | |
| − | Wook, acrylic ink and motor
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| − | ]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Traplev.png|200x250px|thumb|center|
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| − | link=Formulários e modos opcionais - sala 1|
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| − | | |
| − | '''Traplev'''
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| − | | |
| − | ''Formulários e modos opcionais - sala 1'' (Forms and optional modes - room 1), 2008
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| − | | |
| − | Clipboard and adhesive tape
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Sonhotatlin.png |200x250px|thumb|center|
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| − | link=O sonho de Tatlin e o futuro perdido|
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| − | | |
| − | '''Guilherme Peters'''
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| − | | |
| − | ''O sonho de Tatlin e o futuro perdido'' (Tatlin’s dream and the lost future), 2009
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| − | | |
| − | Oxidized iron plate, electric circuit, electric motor and russian doll
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| − | ]]
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| − | | |
| − | | [[Arquivo:Remediacoes.png|200x250px|thumb|center|
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| − | link=Remediações|
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| − | | |
| − | '''Beto Shwafaty'''
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| − | | |
| − | ''Remediações'' (Remediations), 2010
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| − | | |
| − | video-installation
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| − | ]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:FORD-T-1908.png|200x150px|thumb|center|
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| − | link=Ford-T|
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| − | | |
| − | '''João Paulo Leite'''
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| − | | |
| − | ''Ford-T'', 2006
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| − | | |
| − | Wood and lacquer]]
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| − | | |
| − | | |
| − | | [[Arquivo:Sturtevant.jpg|200px|thumb|left|link=Elaine Sturtevant|
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| − | '''Elaine Sturtevant (Lakewood, EUA, 1930)'''
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| − | ''Sturtevant, Author of the Quixote'', ed. 2009 by Udo Kittelmann publication]]
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| − | | |
| − | | |
| − | | [[Arquivo:A-NOITE.png|200x250px|thumb|center|
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| − | link=A Noite|
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| − | | |
| − | '''Iran do Espírito Santo ('''
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| − | | |
| − | ''A Noite'' (The Night), 1998
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| − | | |
| − | Electrostatic painting on steel
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| − | Pinacoteca do Estado de São Paulo’s collection]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | |
| − | | [[Arquivo:Komatsu.png|200x250px|thumb|center|
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| − | link=Sem título|
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| − | | |
| − | '''André Komatsu (São Paulo, 1978)'''
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| − | | |
| − | ''Sem título'' (''untitle''), 2009
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| − | | |
| − | Wall fragment, rollerball ink and wood
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| − | Collection of the artist
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| − | ]]
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| − | | |
| − | | [[Arquivo:Dare.png|200x250px|thumb|center|
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| − | link=Cobertura para fracassos passados|
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| − | | |
| − | '''Daré'''
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| − | | |
| − | ''Cobertura para fracassos passados'' (Covering for failures past), 2008-2009
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| − | painting
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Centrocultural.png|200x250px|thumb|center|
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| − | link=Centro Cultural|
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| − | | |
| − | '''Vitor César'''
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| − | | |
| − | ''Centro cultural'' (Cultural center), 2009
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| − | neon light
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| − | ]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Projetoedestino.png|200x250px|thumb|center|
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| − | link=Projeto e destino|
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| − | | |
| − | '''Tiago Alem Santinho'''
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| − | | |
| − | ''Projeto e destino'' (Project and destiny), 2010
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| − | wood
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| − | ]]
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| − | | |
| − | | |
| − | | [[Arquivo:Bruno-faria.png|200x250px|thumb|center|
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| − | link=_______ MUSEU|
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| − | | |
| − | '''Bruno Faria'''
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| − | | |
| − | ''_______ MUSEU'', 2010
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| − | | |
| − | installation]]
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| − | | |
| − | | |
| − | | [[Arquivo:Pressauro003peq.png|200x250px|thumb|center|
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| − | link=Pressauro|
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| − | | |
| − | '''Augusto de Campos (São Paulo,1931)'''
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| − | | |
| − | ''Pressauro'', 1970
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| − | poem
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| − | ]]
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| − | | |
| − | | |
| − | <!-- ************************************************************************ -->
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| − | |-
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| − | | |
| − | | |
| − | | [[Arquivo:Esperancanoporvir.png|200x250px|thumb|center|
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| − | link=A esperança no porvir|
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| − | | |
| − | '''Milton Machado'''
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| − | | |
| − | ''A esperança no porvir'' (The hope in the future), 1973
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| − | publication
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| − | ]] | |
| − | | |
| − | |}
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