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| − | '' | + | =De artificiali perspectiva= |
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| + | Regina Silveira | ||
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| + | The series of silk-screen prints "De artificiali perspectiva" by Regina Silveira shows characters who don't have eyes. They appear to be rulers or executives, but we don't know whom (or what) they rule (or manage) nor which are their specific conditions, they are anonymous. Even so, this does not mean that they are unknown, on the contrary, they are symbols of urban and administered societies. But what are the perspectives — the speculations and future projections — that each of these eye-less managers see? And what is it that is about to be inaugurated by the cutting of the red tape? | ||
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| + | [[Arquivo:Deartificialeperspectiva-regina_silveiraaa.png|center| | ||
| + | link=De artificiali Perspectiva/en| | ||
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| + | '''Regina Silveira''' | ||
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| + | ''De artificiali perspectiva'' (Of artificial perspective), 1976 | ||
| + | Silkscreen | ||
| + | Collection of the artist | ||
| + | ]] | ||
Edição atual tal como às 06h31min de 27 de agosto de 2020
De artificiali perspectiva
Regina Silveira
The series of silk-screen prints "De artificiali perspectiva" by Regina Silveira shows characters who don't have eyes. They appear to be rulers or executives, but we don't know whom (or what) they rule (or manage) nor which are their specific conditions, they are anonymous. Even so, this does not mean that they are unknown, on the contrary, they are symbols of urban and administered societies. But what are the perspectives — the speculations and future projections — that each of these eye-less managers see? And what is it that is about to be inaugurated by the cutting of the red tape?
